---AVAILABLE EPISODES: (100)
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Creating an After Effects Sunrise
by Rob Mize
(00:25:41) -- 5/18/2012
Rob Mize shows how to create the effect of a sunrise using only After Effects and a background graphic.
 
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Premiere Pro Basics (CS6 & above): 22 JKL Trimming
by Andrew Devis
(00:04:40) -- 5/17/2012
In this tutorial, Andrew Devis demonstrates a really useful feature in Premiere Pro CS6 - that of being able to trim your clips in the timeline using the J K & L playback functionality.
 
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Premiere Pro Basics (CS6 & above): 20 Trim Monitor
by Andrew Devis
(00:07:06) -- 5/17/2012
In this tutorial, Andrew Devis demonstrates the 'Trim Monitor,' which up until CS6 had been the main way of quickly and simply rolling or trimming you edit points in the timeline.
 
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HTML5 (CreateJS) for Adobe Flash Professional CS6
by Michael Hurwicz
(00:03:44) -- 5/17/2012
Creative COW leader Michael Hurwicz provides a brief introduction to CreateJS, an extension for Adobe Flash Professional CS6 that allows you to export Flash projects as HTML and JavaScript, even on platforms that do not support the Flash Player.
 
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AE Basics 47: Creating and Customizing Brushes
by Andrew Devis
(00:06:09) -- 5/16/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 47: In this tutorial, Andrew Devis goes through some of the options for paint in After Effects and especially how to create, customize, save and delete brushes.
 
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Premiere Pro Basics (CS6 & above): 17 Tools Part 2
by Andrew Devis
(00:05:27) -- 5/15/2012
In this tutorial, Andrew Devis continues to introduce some of the timeline editing tools in Premiere Pro looking at the 'Track Select' tool along with the 'Razor', 'Pen', 'Hand' and 'Zoom' tools.
 
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Premiere Pro Basics (CS6 & above): 16 Tools Part 1
by Andrew Devis
(00:07:56) -- 5/14/2012
In this tutorial, Andrew Devis introduces some of the timeline editing tools in Premiere Pro starting with the 'Trim' tool, the 'Ripple Edit' tool and then the 'Rolling Edit' tool.
 
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Premiere Pro Basics (CS6 & above): 11 Importing PSDs
by Andrew Devis
(00:03:42) -- 5/10/2012
In this tutorial, Andrew Devis goes through the various options Premiere Pro gives you when importing Photoshop documents including importing with merged layers, selecting the layers you wish to use and importing a PSD as a sequence.
 
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Premiere Pro Basics (CS6 & above): 10 Importing Assets
by Andrew Devis
(00:11:15) -- 5/9/2012
In this tutorial, Andrew Devis goes through the different way to import assets into your project including a look at the basic functionality of the Media Browser (with more advanced functions covered in more detail in a future tutorial) and Adobe Bridge.
 
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Premiere Pro Basics (CS6 & above): 9 New Items
by Andrew Devis
(00:13:18) -- 5/9/2012
In this tutorial, Andrew Devis goes through all the different synthetic footage items that can be created inside Premiere Pro from the 'New Items' icon in the project panel. Andrew also shows how to link media to offline footage items.
 
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AE Basics 46: Mask Feather Tool (CS6 & above)
by Andrew Devis
(00:12:13) -- 5/9/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 46: In this tutorial, Andrew Devis shows how to use the long awaited and new to CS6 'Mask Feather' tool.
 
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Premiere Pro Basics CS6 & above: 7 Matched Sequences & Bins
by Andrew Devis
(00:10:57) -- 5/8/2012
In this video tutorial, Andrew Devis shows how to create a new sequence that exactly matches your footage followed by the options for managing assets in your project panel including how to create bins and how to navigate between bins.
 
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Premiere Pro Basics (CS6 & above): 5 Workspaces
by Andrew Devis
(00:09:14) -- 5/8/2012
In this tutorial, Andrew Devis shows what happens when you open a project saved in a previous version of Premiere Pro and how it changes the default workspace back to that of a previous version.
 
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Premiere Pro Basics (CS6 & above): 4 Playback Controls
by Andrew Devis
(00:08:52) -- 5/8/2012
In this tutorial, Andrew Devis goes over the options for showing and hiding the various buttons inside the source and program monitors and how they can be customized as needed.
 
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Premiere Pro Basics (CS6 & above): 2 Opening PP CS6
by Andrew Devis
(00:10:16) -- 5/7/2012
In this second tutorial, Andrew Devis goes through the process of creating a new project in Premiere Pro and explaining all the various options that you are presented with including those in the new project dialogue box and the new sequence dialogue box.
 
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Premiere Pro Basics (CS6 & above): 1 Introduction
by Andrew Devis
(00:03:49) -- 5/7/2012
In this first tutorial, Andrew Devis introduces his new series on Adobe Premiere Pro Basics (CS6 & above) with a look at the CS6 user interface (UI) and a comparison with the CS5.5 UI.
 
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AE Basics 45: Additional Range Selectors
by Andrew Devis
(00:05:41) -- 5/2/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 45: In this (more advanced) tutorial, Andrew Devis shows how to create and use a range selector within another range selector all within one animator for a single text layer.
 
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What's new in After Effects CS6: Shapes from Vector Layers
by Kevin P McAuliffe
(00:11:53) -- 4/30/2012
In this tutorial, Kevin P McAuliffe shows you how, using the great new "Create Shapes from Vector Layers" command in After Effects CS6, you can create 3D extruded client logos in minutes.
 
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Learn Media Composer Lesson 5: Bins PART TWO
by Kevin P McAuliffe
(00:13:54) -- 4/30/2012
In part two at our look at Bins inside of Media Composer/Symphony, Kevin P McAuliffe gets more in-depth with organization, and shows you some great quick tips to not only better organize your projects, but also help speed up that organizational process.
 
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AE Basics 44: Shaping Text And Advanced Options
by Andrew Devis
(00:06:05) -- 4/25/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 44: In this (more advanced) tutorial, Andrew Devis shows the options to change the way text moves through its range.
 
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Learn Media Composer Lesson 4: Bins PART ONE
by Kevin P McAuliffe
(00:13:39) -- 4/24/2012
In part one of this two part look at Bins, Kevin P McAuliffe talks about creating not only customized bin views, but also shows some great hidden gems to really organize your projects so all of your edit sessions go as smoothly as possible.
 
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Learn Media Composer Lesson 3: Audio Settings
by Kevin P McAuliffe
(00:13:13) -- 4/19/2012
In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and how a commonly overlooked setting can really get you into trouble, if you don't know what you're looking for.
 
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AE Basics 43: Text Animators Part FOUR - Per-character 3D
by Andrew Devis
(00:08:55) -- 4/18/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 43: In this tutorial, Andrew Devis continues demonstrating some of the text animators available in the timeline.
 
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Create a Rotating Counter ONE: Positioning 3D Layers
by Andrew Devis
(00:16:34) -- 4/17/2012
In the first part of this 2 part tutorial, Andrew Devis shows how to create and place layers in 3d space such that they can be rotated as a single group to be used for a rotating counter.
 
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Autodesk 3ds max & Di-O-Matic's Facial Studio
by Andrew Devis
(00:09:45) -- 4/16/2012
In this tutorial, Andrew Devis shows how easy it is to create, add materials to, animate and lip-sync a head in Autodesk 3ds max using the plug-ins from Di-O-Matic called 'Facial Studio' and 'Voice-O-Matic'.
 
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AE Basics 42: Text Animators Part THREE - Tracking & more
by Andrew Devis
(00:07:35) -- 4/11/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 42: In this tutorial, Andrew Devis continues demonstrating some of the text animators available in the timeline, concentrating upon the tracking, character and blur options.
 
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AE Basics 41: Text Animators Part TWO - Fill & Stroke
by Andrew Devis
(00:06:11) -- 4/4/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 41: In this tutorial, Andrew Devis continues demonstrating some of the text animators available in the timeline, concentrating upon the fill and stoke options.
 
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The Vampire Diaries : Creative COW Magazine
by Creative COW
3/31/2012
Nancy Forner ACE, one of the editors of the popular CW series The Vampire Diaries, takes readers inside the show's editing choices, pacing and style. Also featured, is Yuri Neyman ASC and his exploration of the roots of cinematography in art.
 
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AE Basics 40: Text Animators Part ONE
by Andrew Devis
(00:06:12) -- 3/28/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 40: In this tutorial, Andrew Devis begins to demonstrate some of the text animators available in the timeline, concentrating upon the 'transform' type of effects.
 
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AE Basics 39: Text Range Selectors Part TWO
by Andrew Devis
(00:06:50) -- 3/23/2012
In this second tutorial explaining text range selectors in After Effects, Andrew Devis shows how to add an additional range selector to our already animated text.
 
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AE Basics 38: Text Range Selectors Part ONE
by Andrew Devis
(00:06:32) -- 3/21/2012
Range selectors in After Effects enable many text animation functions that would be quite complex to achieve through the normal 'stop-watch' approach to animation.
 
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Panning Large Scenes Using Target Layers in 3D
by Andrew Devis
(00:15:26) -- 3/16/2012
In this follow-on tutorial to his short series on working in 3D space, Andrew Devis shows how to use this simple technique to quickly and accurately pan around large layers/compositions to zoom in to the exact point required each time.
 
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FreeForm Pro and Aqua Pack - Basic introductory series. Part 1
by Tudor "Ted" Jelescu
(00:16:36) -- 3/13/2012
Introductory series (first in a set of three) for simulation of large bodies of water, water environments and water replacement in After Effects using FreeForm Pro from Mettle and the Aqua Pack enhancement pack.
 
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Working in 3D Part 3: Simple & Fast Camera Animation Technique
by Andrew Devis
(00:08:03) -- 3/9/2012
In this third tutorial (of 4) on working in 3D space in After Effects, Andrew Devis demonstrates a simple camera animation technique which ensures that your camera will always animate toward your layers in 3D space no matter where you've placed them.
 
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Working in 3D Part 2: Setting up a Static 3D Particle System
by Andrew Devis
(00:10:43) -- 3/9/2012
In this second tutorial in a set of 4 on working in 3D space in After Effects, Andrew Devis shows how to set up a 3D particle system so that all the particles are static for the whole of the composition.
 
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Working in 3D Part 1: Setting up a 3D Scene
by Andrew Devis
(00:11:50) -- 3/9/2012
In this first tutorial in a set of 4 on working in 3D space in After Effects, Andrew Devis shows how to set up your layers in 3D space and how to view all the layers without ruining your camera view.
 
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Working in 3D Part 4: Finessing Camera Animation
by Andrew Devis
(00:11:59) -- 3/9/2012
In this final tutorial in a set of four on working in 3D space in After Effects, Andrew Devis builds on the quick and simple camera animation technique demonstrated in the previous tutorial.
 
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Lite Bite for Photoshop: Clipping Masks vs. Layer Masks
by Martin Ainsworth
(00:08:41) -- 3/8/2012
In this "Lite Bite" tutorial Martin Ainsworth quickly shows the use of Clipping Masks VS Layer Masks within Abobe Photoshop. Masks can be creative and using the best way for the project you are doing can save valuable time.
 
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Shift Tilt effect in Sony Vegas
by Roy van der Westen
(00:04:17) -- 3/6/2012
In this tutorial, accomplished COW leader Roy van der Westen demonstratrates how to create the "shift tilt" effect in Sony Vegas.
 
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Lite Bite for Photoshop: Using Droplets in Adobe Photoshop
by Martin Ainsworth
(00:03:32) -- 3/5/2012
This "Lite Bite Tutorial" will help you speed up and automate your work flow by using droplets created from actions in Photoshop. In a matter of minutes you will be up and running. The process is the same for both Mac & PC users.
 
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Twixtor Overview in FCPX
by Lori Freitag
(00:06:54) -- 3/2/2012
This tutorial shows how to do a simple speed-up and slow-down using Twixtor in FCPX.
 
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AE Basics 37: Animating Source Text
by Andrew Devis
(00:04:35) -- 2/29/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 37: In this tutorial, Andrew Devis starts to show how to do basic source text animation in the timeline.
 
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Importing 3D models into Adobe's After Effects
by Kevin P McAuliffe
(00:08:26) -- 2/27/2012
Most people think that the only way to work with real extruded 3D elements or 3D models inside of After Effects, is by purchasing a 3rd-Party Plug-in. Well, that's just not the case.
 
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Multicam Editing in Avid's Media Composer
by Kevin P McAuliffe
(00:10:41) -- 2/27/2012
In this tutorial, Kevin P McAuliffe shows you how easy it is to edit multicam footage with no timecode reference in Avid's Media Composer 6 and Symphony 6.
 
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AE Basics 36: Pimping Your Text with Layer Styles
by Andrew Devis
(00:07:14) -- 2/22/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 36: In this tutorial, Andrew Devis shows how you can take ordinary looking text and with very little effort use some simple light-weight effects to make it look outstanding.
 
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You Ask I Answer : Working with PSD files Part 1: Motion 5
by Kevin P McAuliffe
(00:11:58) -- 2/16/2012
In this tutorial, Kevin P McAuliffe shows you how easy it is to get up and running with PSD files in Motion 5, and also shows you why using Behaviors is a better way of working than working with keyframes.
 
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AE Basics 35: The Character Panel
by Andrew Devis
(00:09:54) -- 2/15/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 35: In this tutorial, Andrew Devis shows all the options in the character panel and how to use them to create good looking text.
 
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You Ask I Answer : Working with PSD files Part 1: FCPX
by Kevin P McAuliffe
(00:08:30) -- 2/9/2012
In this tutorial, Kevin P McAuliffe shows you the great new "Import PSD files" feature inside of FCPX, and answers a viewers question about extending still images the length of your timelines.
 
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Particular Basic Training Session FOUR: Sticky Snow
by Mike Park
(00:16:30) -- 2/8/2012
In this fourth tutorial in the Particular Basic training series, Michael Park answers a user's forum question on how to accumulate particles on 2d footage using Particular.
 
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AE Basics 34: Font Selection and Faux Options
by Andrew Devis
(00:04:01) -- 2/8/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 34: In this tutorial, Andrew Devis shows how to quickly select and change your font selection and modify its look and feel with the Faux options in the character panel.
 
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AE Basics 33: Options for Creating Text
by Andrew Devis
(00:06:44) -- 2/1/2012
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 33: In this tutorial, Andrew Devis starts to look at text creation and animation in After Effects starting with the different ways to create text in the composition panel.
 
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Multicam Editing in Final Cut Pro X
by Kevin P McAuliffe
(00:15:05) -- 1/31/2012
In this tutorial, Kevin P McAuliffe shows you how, with the newest update to FCPX, to edit multicam inside of FCPX. See how to set up your clips into angles, and then quickly and easily edit them together to create a seamless edit in no time flat.
 
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FCPX INs and OUTs - Multicam Part ONE
by Andy Neil
(00:12:21) -- 1/31/2012
Finally it's here! FCP X has included a multi-camera workflow in its 10.0.3 update. Andy Neil will take you through the INs and OUTs of this amazing new feature in a two-part tutorial (there's THAT much to show).
 
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FCPX INs and OUTs - Multicam Part TWO
by Andy Neil
(00:12:48) -- 1/31/2012
This is part two of a two-part tutorial on the new multicam feature added to the 10.0.3 update for Final Cut Pro X. In this part, Andy Neil shows off the custom sync controls, syncing using meta-data and how FCPX handles non-pro sources.
 
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Advanced Tips for FCP X: Editing During Playback
by T. Payton
(00:11:42) -- 1/27/2012
One of the features of FCP X that goes largely unmentioned (and is mostly undocumented) is the ability to edit during playback. In this tutorial I'll teach you the fundamentals of editing without stopping playback.
 
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Virtual 3D Sets with After Effects
by Rob Mize
(00:22:15) -- 1/24/2012
Rob Mize demonstrates techniques for creating a virtual set in 3D space. He shows how you can build sophisticated, detailed environments, where your actors appear to interact with their 3 dimensional surroundings.
 
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Lite Bite for After Effects: The Tilt Shift Effect
by Martin Ainsworth
(00:05:16) -- 1/23/2012
In this tutorial, Martin Ainsworth will demonstrate the "Tilt Shift" effect also known as "Toy Town Look" using Abobe After Effect. This simple yet very power technique can add an extra dimension to an opening introduction.
 
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Lite Bite for Apple Motion: The Tilt Shift Effect
by Martin Ainsworth
(00:06:48) -- 1/20/2012
The "Tilt Shift Effect" or "Toy Town Look" is fantastic fun to play with. Using Final Cut and Motion you can quickly create the effect and give an amazing intro to any promotion. The tutorial requires no additional Plug-ins.
 
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Multiple Split Screen in Sony Vegas
by Roy van der Westen
(00:06:25) -- 1/18/2012
In this tutorial, Roy van der Westen will demonstrate how to make a multiple split screen in Sony Vegas, and saving the presets in the "Trackmotion tool.
 
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Create a Realistic 3D End Tag in Adobe After Effects
by Kevin P McAuliffe
(00:11:21) -- 1/17/2012
In this Boris video tutorial, Kevin P. McAuliffe creates an end tag with Boris Continuum Complete 8 AE's new Stage Light effect. BCC Stage Light lets you create volumetric lighting from any light that you add to your After Effects composition.
 
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FCPX INs and OUTs - Roles
by Andy Neil
(00:20:49) -- 1/16/2012
In this tutorial, I'll show you the INs and OUTs of the Roles feature. How they work when exporting projects as well as tricks on their use in editing and during import.
 
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Lite Bite for Photoshop: Using Masks on Folders
by Martin Ainsworth
(00:03:09) -- 1/11/2012
Using masks to speed up web design can help you show multiple graphic ideas with the least amount of effort for best effect. In this tutorial, Martin Ainsworth willl show you how to add a mask to a folder and add content to it.
 
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You Ask...I Answer: Masking in Apple's Motion Part ONE
by Kevin P McAuliffe
(00:11:32) -- 1/9/2012
In this tutorial, Kevin P McAuliffe answers a viewer's question about masking in Apple's Motion, and shows that sometimes the best way to mask something, is not to mask it at all!
 
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Better Retiming using a Matte
by Lori Freitag
(00:05:12) -- 1/9/2012
This Tutorial shows how to get better tracking using a matte to separate your footage into multiple layers. Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro.
 
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The Fastest Ever Promo - iMovie
by Martin Ainsworth
(00:05:54) -- 1/6/2012
I know iMovie is not the sharpest tool in the box but sometimes we need to use a quick way of making a little promo on a budget. With Apple computer shipping with iMovie 11, it's becoming used more and more.
 
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Lite Bite for Photoshop: Creating Custom Actions
by Martin Ainsworth
(00:05:57) -- 1/4/2012
In this "Lite Bite" tutorial, quickly setup custom actions to speed up your photography workflow in Adobe Photoshop to rotate and add adjustment layers for 'Cross Processing' and 'Black & White.' This is a valuable time-saving tutorial.
 
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Douglas Trumbull : Creative COW Magazine
by Creative COW
12/30/2011
Douglas Trumbull looks forward; The Dog Days of 3D; David Boyd ASC talks about "The Walking Dead"; Cinema Verite with the Sony PMW-F3; Walter Biscardi looks at Avid, Apple and Adobe; Stephen Menick plans for a DSLR shoot.
 
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AE Basics 31: Brainstorm & Shape Layers
by Andrew Devis
(00:07:07) -- 12/28/2011
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 31: In this tutorial, Andrew Devis demonstrates the "Brainstorm" function with shape layers.
 
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Film Fading to Black : Creative COW Magazine
by Creative COW
12/22/2011
Within the last year, ARRI, Panavision and Aaton have all ceased production of their film cameras to focus exclusively on the design and manufacture of digital cameras. Somewhere in the world, right now, someone is holding the last movie film camera ever
 
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