In this short tutorial for Premiere Pro's new CC version, Andrew Devis goes over some of the changes and improvements to the timeline panel for the next version of Premiere Pro so that you can get up and running with it quickly and smoothly.

In this tutorial, Andrew Devis demonstrates a relatively new plug-in by RE:Vision Effects called RE:Match and how it can very quickly and accurately deal with the very common problem of non-matching cameras in Premiere Pro.

In this final tutorial in this Premiere Pro Basics (CS6 & above) series, Andrew Devis shows how to use the Rolling Shutter Repair effects which deals with the problem of footage from a camera phone or a DSLR (CMOS sensors).

In this tutorial, Andrew Devis shows how to use the 'Warp Stabilizer' effect in Premiere Pro.

In this tutorial, Andrew Devis explains how to use the 'Find Faces' function in Premiere Pro which can be a useful function to search/filter in the project panel to display only clips showing people.

In this tutorial, Andrew Devis goes through an under-used effect in Premiere Pro which can be a real shot-saver by giving you the option to completely re-light a scene with multiple lights if needed.

The Ultra Key in Premiere Pro is a way of quickly and efficiently 'Green/Blue Screening' or 'Chroma Keying' footage elements shot against a colored background.

In this tutorial, Andrew Devis shows how to use the Track Matte Key effect to pixel out a face to keep a character anonymous. Andrew also shows how to use the circle effect with fast blur to create a soft matte to use with the Track Matte Key effect.

In this tutorial, Andrew Devis shows how to use the Echo effect and goes through its settings showing how to get the best out of this powerful effect. Andrew also talks a little about filming with the aim of using the Echo effect on the final product.

Time remapping is hands-down the most powerful time changing effect in Premiere Pro and also great fun to work with once you know how to use it. In this tutorial Andrew Devis shows how to vary the time of a clip and more.

In this third tutorial on Media Encoder, Andrew Devis shows how to create and use 'Watch Folders'.

In this tutorial, Andrew Devis shows how to use the Media Encoder to render out several different versions of a Premiere Pro sequence using easy to find and select presets.

In this tutorial, Andrew Devis starts by talking about the 'Send to SpeedGrade' option and then moves on to discuss the selection settings (left hand side) in the Export Settings dialogue box.

In this tutorial, Andrew Devis explains how to create and use submixes in Adobe Premiere Pro.

In this tutorial, Andrew Devis goes through the right-click gain options for audio waveforms in Premiere Pro.

In this tutorial, Andrew Devis shows how to use Adobe Audition to separate the 2 channels of a clip already in the timeline so that they become 2 mono tracks.

In this tutorial, Andrew Devis goes through the 'Automation Modes' for animating audio volumes in Premiere Pro.

In this tutorial, Andrew Devis demonstrates how to record audio directly into Premiere Pro, having a closer look at the preferences as well as discussing some of the issues that can be had with distortion and low signal to noise ratios when recording.

In this tutorial, Andrew Devis briefly goes through some audio FX that may prove useful in your work. This is not an in-depth tutorial but simply points out some of the more useful or powerful audio FX inside Premiere Pro.

In this tutorial, Andrew Devis explains the differences between controlling clip and track audio in Premiere Pro - showing how to select each type and the options that are available.

In this tutorial, Andrew Devis goes over the various types of audio tracks available in Premi�¨re Pro including a look at the new 'Standard Track' as well as multi-channel masters and 'Adaptive Tracks'.

Adobe Premiere Pro CS6 has a warp stabilizer tool that you may have heard about, but Rich Harrington takes you deep inside its many subtle options for the best possible results.

Adobe Premiere CS6 provides new browsing -- and editing! -- features for clips in bins. Rich Harrington will show you to preview the contents of any clip from the Project Panel or Media Browser.

In this video tutorial Jon Barrie AKA "JB" showcases a way to clean up Multi-track cuts in Premiere Pro CS6. In this one take wonder, special guest Alexis "Lexi" Barrie (4yo) adds her own charm this video tutorial.

In this tutorial, Andrew Devis starts off by showing how to add and change a 'Lens Flare' and then how to use a colored gradient to colorize your footage for added interest.

In this tutorial, Andrew Devis shows how to use the 'Change to Color' effect while also showing the importance of masking out the area of the footage that you wish to effect.

In this tutorial, Andrew Devis shows a simple method for using footage shot during the day to make a it look like the shot was filmed in the early morning or late evening. Andrew uses a couple of effects to colorize the shot and change its contrast.

In this tutorial, Andrew Devis continues to demonstrate the RGB Curves effect showing how it can be used to colorize a shot and quickly change the 'temperature' of a shot.

In this tutorial, Andrew Devis shows how to use the Luma Curve to achieve very similar results to the Luma Corrector.

In this tutorial, Andrew Devis shows how to import an image sequence into Premiere Pro and also how to help Premiere get the interpretation of the image sequence correct.

In this tutorial, Andrew Devis shows one method of how to create a vignette in on your sequence to darken down distracting areas of the footage so that you can concentrate your audience on the action and not on distracting elements away from the action.

In this tutorial, Andrew Devis demonstrates the newly redesigned for CS6 Three Way Color Corrector showing it's functionality (with the exclusion of Secondary Color Correction which will be covered in the next tutorial).

In this tutorial, Andrew Devis explains the level sliders in the 'Fast Color Corrector,' which help us to set up the contrast of a shot as well as change the brightness of a shot.

In this tutorial, Andrew Devis introduces the RGB Parade and explains how it can give us information to quickly see how well balanced a shot is and what problems there may be.

In this tutorial, Andrew Devis introduces the YC Waveform graph, showing how to select it and explaining what information it gives.

In this tutorial, Andrew Devis shows how to animate in the timeline with the pen tool. Andrew shows how to select different fixed effects in the timeline and shows how they can be animated as well as discussing the potential problems of using this method.

In this tutorial, Andrew Devis continues to show how to animate various fixed effects in Premiere Pro and then goes on to show how to apply and modify 'Picture in Picture' (PiPs) presets to your clips.

Fixed effects are the basis of all animation in Premiere Pro. In this tutorial, Andrew Devis starts to introduce these fixed effects which include Position, Scale, Rotation, Opacity and Anchor Point (as well as Anti-Flicker).

In this tutorial, Andrew Devis shows how to create a simple but effective arrow with the title design window.

In this tutorial, Andrew Devis shows how to create and finesse professional looking rolling titles or 'credits' for your productions.

In this tutorial, Andrew Devis shows how to export a title so that it can be used in another version of Premiere Pro (demonstrated by importing into CS5.5).

In this tutorial, Andrew Devis goes through many of the formatting options that are available for your titles so that you can create exciting titles.

In this tutorial, Andrew Devis briefly goes through the 3 types of audio transitions in Premiere Pro - Exponential Fade, Constant Gain and Constant Power. Andrew will be covering audio in Premiere Pro in more detail in future tutorials.

In this tutorial, Andrew Devis simply talks about when to use transitions and what message they may give to an audience.

In this tutorial, Andrew Devis explains all the options and icons in the track headers as well as going through some of the options for the clips in the timeline.

In this tutorial, Andrew Devis demonstrates 3 & 4 point editing - a technique used a great deal in video editing. Three point editing forces clips to match a sequence in or out point whilst allowing the clip to remain the length it has been specified.

In this tutorial, Andrew Devis explains how to select just the audio or just the video portion of a clip so that they can be edited separately whilst still keeping the audio and video linked.

In this tutorial, Andrew Devis demonstrates a really useful feature in Premiere Pro CS6 - that of being able to trim your clips in the timeline using the J K & L playback functionality.

In this tutorial, Andrew Devis demonstrates the 'Trim Monitor,' which up until CS6 had been the main way of quickly and simply rolling or trimming you edit points in the timeline.

In this tutorial, Andrew Devis demonstrates the 'Rate Stretch' tool as well as showing how to see if you are dropping any frames on your playback and how to turn on loop for your playback.

In this tutorial, Andrew Devis introduces some of the timeline editing tools in Premiere Pro starting with the 'Trim' tool, the 'Ripple Edit' tool and then the 'Rolling Edit' tool.

In this tutorial, Andrew Devis explains first how to automate clips to your timeline so that they align with markers that you have already set in your sequence.

In this tutorial, Andrew Devis shows how to create sub-clips from the media in your project panel.

In this tutorial, Andrew Devis goes through the different way to import assets into your project including a look at the basic functionality of the Media Browser (with more advanced functions covered in more detail in a future tutorial) and Adobe Bridge.

In this tutorial, Andrew Devis goes through notable preferences in Adobe Premiere Pro.

In this tutorial, Andrew Devis starts by showing how to hide and show the preview area in the project panel to get to the default CS6 user interface layout.

In this tutorial, Andrew Devis goes over the options for showing and hiding the various buttons inside the source and program monitors and how they can be customized as needed.

In this second tutorial, Andrew Devis goes through the process of creating a new project in Premiere Pro and explaining all the various options that you are presented with including those in the new project dialogue box and the new sequence dialogue box.

Nancy Forner ACE, one of the editors of the popular CW series The Vampire Diaries, takes readers inside the show's editing choices, pacing and style. Also featured, is Yuri Neyman ASC and his exploration of the roots of cinematography in art.

Within the last year, ARRI, Panavision and Aaton have all ceased production of their film cameras to focus exclusively on the design and manufacture of digital cameras. Somewhere in the world, right now, someone is holding the last movie film camera ever

This issue features articles from Kevin Blank; the COW's visit to IBC in Amsterdam; filming 'Ghost of Goodnight Lane'; a look at HBO's digital future; Douglas Trumbull; and a moving tribute to Steve Jobs.

In this installment of Video Adrenaline for Premiere Pro, Richard Harrington goes over the process of setting up a multi-clip for editing and walks you through the essential steps.

In this colour correction tutorial, Andrew Devis shows how to use the tools in After Effects both to get excellent colour matching results in After Effects and also to provide information that can be copied into Premiere Pro.

In this tutorial, Andrew Devis shows one approach to matching footage from different cameras. Sometimes, as editors, we receive footage from our clients that is from different cameras which may not have been set up in the same way.

This video tutorial presented by Jon Barrie demonstrates how to go about finding instances of clips (edited clips) in the timeline using Adobe Premiere Pro CS5.5.

In this installment of Video Adrenaline for Premiere Pro, Richard Harrington shows how to use transitions inside of PP. There are some subtle changes and nuances in CS5.5 that you might want to use.

DSLR video training with Robbie Carman and Rich Harrington: This episode features creating a single clip that contains your video and high quality audio. In Premiere Pro CS5.5, they'll be merging clips and syncing audio in post.

In this installment of Video Adrenaline for Premiere Pro, Richard Harrington delivers the great new feature in AE CS5.5 for image stabilization and ties it seamlessly into PP using Dynamic Link.

In this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the vector keyer, which is the Ultra Keyer, an original stand-alone product that Adobe picked up and thoroughly integrated it into Premiere Pro.

In this short tutorial, Andrew Devis demonstrates how to apply audio FX both to clips and to tracks as well as go through some of the basic settings to get you started - including Pre and Post fader options and presets.

Transforms are effects that are automatically applied to any asset you place in your timeline. Knowing what your transforms are and how to change them will give you a series of tools to improve your presentation and make a more dynamic product.

In this tutorial, Andrew Devis will go through the work-flow from Premiere Pro to Audition and show how to apply the new tool in Audition CS 5.5 and work with the settings to balance speech audio levels.

In this Quick Tip, see how easy it is to create sequences based on the parameters of any clip in your project. A perfect tip for anyone who is given footage where the producer has no idea how it was shot.

This is one for photography enthusiasts and anyone who wants to add stills to their DVD/Blu-ray and Web DVD productions - a MUST for wedding videotographers!

This is one for photography enthusiast and anyone who wants to add stills to their DVD/Blu-ray and Web DVD productions - a MUST for wedding videotographers!

In this tutorial on getting started with Adobe Encore, Andrew Devis demonstrates the important option of bringing in a video for your menu and bringing in a suitable audio soundtrack for your menu.

In this fifth tutorial in the 'getting started with Adobe Encore' series, Andrew Devis shows how to set this up so that you can create a menu driven web-based DVD based on your original project.

In part four of his tutorial series on getting going with Adobe Encore, Andrew Devis demonstrates the tools within Encore to check and preview your project, as well as going through the setting needed to create (or build) a disc.

In his third tutorial on getting started with Adobe Encore, Andrew Devis demonstrates how to select different types of buttons, how to add them to your menu and then how to wire up the buttons to create your project.

In this second tutorial on Adobe Encore, Andrew Devis shows how to create both a standard menu from templates that ship with Encore as well as how to create a menu background based on your own image from a sequence in Premiere Pro.

In this series of tutorials, Andrew Devis demonstrates how to get started with Encore so that you can produce high quality DVDs that reflect your work.

In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington demonstrates a graphics tip for quickly making your own customized backgrounds. Remix your own stock backgrounds inside the Premiere Pro timeline for a completely new look.

In this tutorial for the Premiere Pro Video Adrenaline series, Richard Harrington tackles the equalizing command. If you have a clip that's washed out or too dark, this is the perfect effect to correct your levels.

In this Premiere Pro tutorial, Andrew Devis demonstrates an invaluable and somewhat hidden tool in Premiere Pro which can speed up your editing significantly through the use of keyboard short-cuts to quickly and efficiently navigate your edit points.

In this tutorial, Andrew Devis introduces the 'Blend Modes' available in Premiere Pro and shows how to use them with black video and color mattes as an alternative color correction technique which can give subtly different looks to your work.

In this Premiere Pro podcast Richard Harrington shows how to edit a group of video clips quickly to sync them to an audio clip by using markers and the automate to sequence command.

In this tutorial, Andrew Devis demonstrates how these tools work to both speed-up parts of a clip as well as slow-down parts of another clip. Andrew also shows how to affect multiple clips in one go and where the rate stretch tool keeps all the details.

In this Premiere Pro podcast Richard Harrington gives some quick tips on how to navigate the timeline quickly while controlling your video clips like a pro.

In this PP quick tip tutorial podcast, Andrew Devis shows how easy it is to create new audio (stereo, mono and 5.1) and video tracks in your timeline with almost no effort at all.

In this Premiere Pro podcast Richard Harrington shows how to get the proper contrast range from your footage using the shadow and highlight effect.

In this tutorial podcast Andrew Devis shows how to use the 'Interpret Footage' function in Premiere Pro and then how to use the correctly interpreted footage in a sequence that matches that footage.

In this Premiere Pro podcast, Richard Harrington uses some hidden features in the project manager to clean up a project.

The Default Scale to Frame Size preference can cause some confusion as it is not always obvious how it works, and how it affects footage in your project. In this Premiere Pro tutorial, Andrew Devis explains what effect the preference has on your footage.

In this first tutorial on the Premiere Pro tools, Andrew Devis will demonstrate how to use the trim and ripple edit tools, and how to use keyboard short-cuts/modifiers to save time when selecting and using the tools.

In this tutorial podcast, Andrew Devis shows how to create sequences that don't rely on the standard presets that ship with Premiere Pro, so that you can deal with that non-standard footage quickly and simply without pulling all your hair out first.

In this tutorial podcast, Andrew Devis introduces some of the built-in workspaces available in Premiere Pro to make your task of editing quicker and more efficient by giving you all the panels you need with the most effective layout in one simple action.

In this Premiere Pro podcast, Andrew Devis demonstrates how to use nesting, and how to think about your projects so that they can be edited in the most efficient way.

Subclips are essential when you need to organise a long piece of footage into smaller, more manageable chunks so that you can keep track of your project. In this Premiere Pro podcast, Andrew Devis explains what subclips are, why you may want to use them.

In this Premiere Pro podcast Richard Harrington gives a quick tip on adjusting your interface color to help your color correcting decisions.

This tutorial will show how to apply color correction to a much more specific area. Starting with an explanation of the three-way color corrector, Andrew will then go on to show how to use the secondary colour correction function to specify a color range.

In this tutorial Andrew Devis will show you how to remove a color cast from a video clip manually and with automated tool. Andrew will then show you how to use the automated levels controls to get the right contrast balance for your clip.

In this Premiere Pro video tutorial Andrew Devis outlines how to use the Project Manager to create both trimmed and full archived projects ready with all your footage to put on an external hard drive and save...

In this Premiere Pro video tutorial Andrew Devis outlines the various options for importing assets, including looking at both Adobe Bridge and the Media Browser - both of which can save you a lot of time!

In this Adobe Premiere Pro video tutorial, Andrew Devis shows all the different types of assets that can be created from the Project Panel and how to use them. He also looks at the seemingly hidden templates available to use directly in Premiere Pro...

When inserting new clips into your timeline from the source panel, often the new clips don't go where you want them to go. They may also interfere with other clips already in your timeline...

Understanding the Source Panel is essential for a smooth and professional editing work-flow. In this video tutorial you will learn about the key features of the source panel, how to edit your clips to select just the parts you want to use, and more...

You have lots of clips in your timeline which are all different volumes. How do you quickly match the volume of all the clips so that they are all matched? This quick tutorial will show you the tricks to know in Premiere Pro and Soundbooth...

You've created a title which you like, now you need to be able to create other titles that look and feel the same. How do you do that? And, what if you create a style that you then want to use in other projects?

In this Adobe Premiere Pro tutorial, Andrew Devis shows you how to pan and zoom in Premiere Pro like a professional, with proper key-frame interpolation so that everything is smooth. He will also show how to use the corner pin effect...

There are some special tricks that once you know will make your scrolling credits easy to make and look really professional. In this tutorial I show the tricks and hints for rolling credits.

In this video tutorial Andrew Devis teaches how to format your text, add shapes and generally make your titles more interesting in Premiere Pro.

In this Premiere tutorial podcast learn some advanced techniques using the multi-cam workflow in Adobe Premiere Pro.

In this podcast, Aanarav Sareen takes a look at the enhanced bins in Premiere Pro CS3.

In this overview, Aanarav Sareen takes a look at the recently announced Premiere Pro CS3.

In this video tutorial, Aanarav Sareen demonstrates how to use the Source Channel Mappings feature to better enhance your audio.

In this video tutorial, Aanarav Sareen takes a look at how to utilize the basic functionality of the Fast Color Corrector effect that ships with Adobe Premiere Pro 2.0.

A brief tutorial that goes over some of the digital capturing concepts and the procedures required to capture from a DV deck.

In this video podcast, Creative Cow Leader Aanarav Sareen demonstrates how to use Premiere Pro 2.0's DVD Authoring capabilities.